FOR practical reasons, I have used ink and pencil for many of my earlier pieces on paper. When I was invited by Art Voice to join an online exhibition called “Works on Paper”
WHEN one of my best friends, Lam Yoong Koy, showed me some photos of his trip to Southern Xinjiang last October-November, I thought they were excellent documentary evidence of a region that has
EARLY this year, when curator Stephen Menon invited me to take part in ArtVoice’s collaborative project with Universiti Malaya called ART+EDUCATION, I quickly agreed. It would be an opportunity for me
WALTER BENJAMIN, in his essay The Story Teller, bemoaned the decline of traditional storytelling in the modern era. The ancient art of oral storytelling, rooted in direct experience and communal interaction, he believed,
BOO TEIK’S penchant for dissecting the structures of thought and examining the consequential actions of Malaysian leaders and the people around them have resulted in three main publications: one on Mahathir Mohamad,