Jin's Art & Other Expressions

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Lim Siang Jin

Lim Siang Jin

Waiting

Waiting

WAITING for others can be stressful, frustrating and infuriating. This is especially so when we have nothing else to do and do not know the length of the wait. There is, in addition, a sense of helplessness. Sociologically, waiting can be linked to power dynamics and inequality, wherein the less

Tenacity & hope

Tenacity & hope

IN MID-2023, Khoo Boo Teik, a close friend from school days, asked me if I could design the cover of his book, Anwar Ibrahim: Tenacious in Dissent, Hopeful in Power. It got me thinking about a few pieces of art for the cover. “Tenacity & Hope” was one of them.

Four cheers for the backroom of our village

Four cheers for the backroom of our village

As Behind the Stories was being put together, Kay Tat asked pioneer staff – Tan Boon Kean, Au Foong Yee, Azam Aris, Dorothy Teoh, Chong Cheng Hai and me – to write something about our days at The Edge or theSun that meant something to us. I chose to write about the

KF Choy: ‘Capture to Print’ with Mindful Twists

KF Choy: ‘Capture to Print’ with Mindful Twists

PERUSING KF Choy’s photos, I get the feeling each has travelled a complicated journey with many thoughtful sojourns undertaken by the artist to invigorate or ameliorate its parts — before we are brought to the grand finale. Every piece is reaching out to us; each marriage of form and content

KF Choy: Beyond the Enigma

KF Choy: Beyond the Enigma

KF CHOY’S easy-going demeanour belies the intensity and seriousness with which he practises his art. One only discovers how deeply-committed he is by spending time with him, easing out the intricacies of his approach and method. For one, Choy thinks and works in a holistic manner. Clicking his camera

Whimsical why not?

Whimsical why not?

I CONNECT well with whimsical art. It must have manifested from my “other self”, suppressed by a lifetime of serious work and other pressing commitments. True, an innate form of playfulness had been in me all the time but it took the depressing depths of Covid to push mine to

Reimagining John & Yoko

Reimagining John & Yoko

FOR practical reasons, I have used ink and pencil for many of my earlier pieces on paper. When I was invited by Art Voice to join an online exhibition called “Works on Paper”, I quickly chose this one because it was one of the more memorable. I had posted it