WHEN Stephen Menon asked me if I wanted to take part in “The Truth Untold” (read here and here), an exhibition featuring Tamil calligraphy, I jumped at the opportunity. It would be a
I HAVE NOT started in earnest to sell what I have produced; I am still figuring out what this art ecosystem is all about; its stakeholders, and their roles and interests – as lover
MY MEMORIES of Free School would ebb over time, I had thought. They might indeed have, but for a chance occurrence in 2015 that brought a lot, and more, gushing back. After that
FOR my first solo in October 2022, I had to make a last-minute decision to place “Not for sale” tags on three 3ft x 4ft pieces. It was an expensive but neccesary move.
THE period it took to prepare for and subsequently tie up the loose ends of my first solo exhibition was very long – from August to December, 2022. As a reprieve from all the